![]() ![]() Premiere Elements still comes top for animation, with its Bézier curves for both path and acceleration between pairs of keyframes however, PowerDirector is catching up. It helped make animations appear smoother and more natural, and is something that Adobe Premiere Elements 12 currently lacks. It’s carefully implemented, blurring not only for motion but also rotation, scale and skew animations. OS: Microsoft Windows 11, 10, 8/8. Cyberlink PowerDirector 19 Minimum System Requirements. It’s further enhanced by a Motion Blur tool, which blurs animated elements according to the direction and speed of their motion. After 30 days, you can still use PowerDirector, but the premium features will be removed, and you are excluded to some basic editing features with a watermark attached to your final export. PowerDirector already excelled in its ability to animate text, graphics and video clips around the frame, with curved motion paths and multiple keyframe lanes that give precise control over animations. The other three new effects – Lens Flare, Water Reflection and Magnifier – are welcome, too, and help bring the creative effects up to the same standard as PowerDirector’s accomplished colour correction. There’s precise control over the shape of the sharp and blurred areas, and it’s easy to animate them via the comprehensive keyframe tools. Additionally, this video editor features an integrated action cam center that eliminates the need to edit footage captured with cameras in a separate application and importing them into PowerDirector. Tilt-shift blurs the picture except for a band or ellipse of sharp focus. PowerDirector 19 is capable of importing, editing ultra-HD 4K video resolution, even in 360 video, which isnt a new feature, but definitely worth knowing. It’s a simple idea that proved useful in cutting down the time it took to trawl through raw footage. Now it can also detect sections that include speech. Some templates were buggy, too, transitioning to one clip but then jumping unexpectedly to another.Ĭontent-aware editing was introduced in version 11 to guide users towards the best bits of clips, based on analysis of motion, faces, shaky camerawork and poor lighting. The templates are nicely produced, but we’d prefer to see more of our footage rather than lengthy transition animations. ![]() The interface was clumsy and we found it hard to keep track of which media had been used. The Theme Designer did nothing to convince us otherwise. ![]()
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